Jervis McEntee (1828-1891) was one of the second generation of Hudson River School artists. Born in Rondout (Kingston), he painted many scenes of Kingston itself (which serve as interesting records of how the town was developing) and of the surrounding countryside, areas that will be especially familiar to anyone who knows present-day Ulster County between Routes 28 and just north of Route 212. In particular, it was a painting entitled Mink Hollow that sparked my interest in wanting to see the exhibit currently on display at The Friends of Historic Kingston (FOHK) Gallery on Wall Street, Kingston (just opposite the historic Dutch Church).
A portion of the exhibit space devoted to McEntee
Although McEntee traveled farther afield, particularly to areas of New England that were starting to increase in popularity among vacationers as well as artists, most of the paintings in the FOHK exhibit depict the general area of Kingston and the Catskills. Not all the paintings, however, are titled with their exact spots, which raised two questions of personal interest to me: (1) Do any of the paintings with, e.g., the word pond in the title in fact depict Cooper Lake? (2) Did McEntee paint any scenes from the Esopus Valley villages that were later flooded to make way for the Ashokan Reservoir?
The exhibit space provides ample information about McEntee’s life, including photographs, so that the FOHK have arranged a most admirable introduction to this Hudson River School artist who is not one of the best known (he did apprentice briefly with Frederic E. Church), though he did do an excellent job of depicting scenes in this particular area of the Catskills and their foothills.
I have only one quibble — a minor,personal quibble from someone who dearly loves that area of the world: The exhibit ends
These tombstones are in the yard of the historic Old Dutch Church, across the street from the FOHK Gallery.
with McEntee’s painting The Doge’s Palace (Venice), and I couldn’t help wonder what was the motivation behind including it. Stylistically it jars with the other work and (to this paranoid observer, anyhow) it almost seemed an apology that the artist had painted so many scenes of woods and streams in this (then) somewhat obscure area of the New World.
Kudos are due to the Black Dome Press for publishing a superb exhibition catalog, Jervis McEntee: Kingston’s Artist of the Hudson River School. The catalog contains not only beautiful reproductions of all the paintings and other visual material in the exhibit, but also two excellent essays by Lowell Thing and William B. Rhoads, respectively, for those who want to deepen their knowledge still further.
Just up the street, Uptown Coffee is a great place to enjoy a snack or lunch after you’ve seen the exhibit.
The FOHK exhibit of McEntee’s work runs through October 31, 2015. For anyone who still can’t get enough of McEntee’s work, a still larger retrospective will run at the Samuel Dorsky Museum of Art in nearby New Paltz from August 26 to December 13, 2015. So if you want to have your own McEntee festival, you can plan to see both exhibits on the same day (the Kingston venue is open on Fridays and Saturdays); they’re separated by just one exit on the Thruway. I’m hoping the Dorsky retrospective will include some of McEntee’s paintings of the New England coast.