Saugerties Pro Musica works tirelessly to bring a variety of top-level performers in all fields of music each month to their venue, the United Methodist Church in Saugerties. In October, pianist Olga Gurevich dazzled with an energetic and technically demanding program of Russian music. In November we enjoyed “Dragons Rising and Tigers Leaping,” a program of traditional and modern Chinese music presented by students from the Bard College Conservatory of Music. Here are some pictures I took, along with explanations. But first let me add that these talented young ladies will be around giving performances in other venues in the region. Be sure to watch out for them! They are a real treat.
L to R: Beitong Liu and Chang Liu (playing the erhu), Meilin Wei (percussion), Sibei (Betty) Wang and Yxin Wang (playing the guzheng).
Yixin Wang, accompanied by pianist Ivy Wu, plays a contemporary piece for guzheng. This was the most fascinating instrument of all, capable of an amazingly wide variety of sounds. This was a technically challenging piece; the musician wears special picks to keep fingertips from being shredded!
In contrast to the drama of the guzheng, the erhu, played here by Chang Liu, is a lyric instrument that very closely resembles the human voice. The piece was by an early 20th-century composer.
Pianist Helen Wu played selections from the composer most likely to be familiar to Westerners: Tan Dun, whose opera “The Last Emperor” was performed at the Metropolitan Opera in 2008 with Placido Domingo in the title role.
Guzheng musician Betty Wang played traditional music arranged by a contemporary composer.
The program closed with a traditional Chinese song.
You have to give credit to Emerge Gallery owner Robert Langdon for ingenuity in devising exhibits — not only the shows that hang for a month or so but also the “pop-up” ones that last for a day or two or three. On Sunday I popped in for what was supposed to be a one-day exhibit of Spirit Houses, but he has decided to keep it up through the Thanksgiving weekend.
Lorrie and Michael Wardell’s pottery work is familiar to customers at various restaurants around Saugerties, including the Dutch Ale House, Miss Lucy’s, even Lox of Bagels and Bluestone Coffee Roasters. The Emerge Gallery is featuring a selection of their unique spirit houses. What is a spirit house? I’ll let Lorrie and Michael speak for themselves:
“There is a tradition in many cultures, from medieval England and Europe to modern Indonesia and Thailand, to provide a place for spirits to dwell near our homes or in special and sacred places. The ancient Greeks built their incredible temples as an enticement for the gods to come and stay so they would be attentive to the prayers offered at the temple. Pre-Christian Europeans provided niches carved in stone or wood for the gods in a sacred grove or those protecting the crossroads to dwell in. No home or building in modern Thailand is without a spirit house, the placement of which is decided even before construction of the building begins. All of these traditions seek to acknowledge the place that spirits and spirituality have in enriching our lives. By providing a home for the spirits, we provide a tangible acknowledgment of the more ethereal aspects of our lives.”
I was intrigued to learn of this artistic application of the idea of sacred space, and to see the differences between the medieval European spirit houses and those from Indonesia and Thailand, and I purchased one of the “medieval” ones for myself. They are amazingly affordable, and if you’re looking for a very different kind of gift to give this Christmas season (or even for yourself), I highly recommend that you stop in and have a look.
Some works from the “Petit” show.
To the right is my piece in this show, a scene in the Berkshires.
Meanwhile, the theme for the current monthly show is “Petit” and features works of smaller sized art. Again, a nice gift idea–or for your own wall. Visit the Gallery’s website for further details. You can even purchase online!
In 1818 a 17-year-old youth arrived in the USA with his parents and sisters from Bolton, Lancashire, England. The Industrial Revolution hadn’t been kind to the father of the family, and so they decided to try their fortune in the fledgling country across The Pond.
That youth, whose name was Thomas Cole, would eventually achieve renown as a master landscape artist and the founder of the Hudson River School of painting. After a few years spent in Ohio and Pennsylvania as an itinerant portrait painter, young Cole eventually arrived in New York and, eager to explore, took a fateful trip up the Hudson River to the Catskills. Love at first sight. He painted three scenes from the Catskills and exhibited them in New York City, where they caught the attention of men prominent in the art world. One was Asher B. Durand, who became a lifelong friend of Cole. His career was launched.
In 1836 Cole married Maria Bartow of Catskill, and from then until his untimely death at the age of forty-seven he made Cedar Grove in Catskill his home (after his death, Maria and their children continued to live there). Cedar Grove stayed in the Cole family until 1979. The Greene County Historical Society bought the property in 1998, and in 1999 it was declared a National Historic Site. After extensive restoration work Cedar Grove was opened to the public in 2001, for Thomas Cole’s 200th birthday, . It is now the venue for important exhibitions and lectures related to the Hudson River School artists.
In 2018 the Thomas Cole National Historic Site celebrates the 200th anniversary of Cole’s arrival in the USA with an exhibition titled Picturesque and Sublime: Thomas Cole’s Trans-Atlantic Inheritance. The first lecture of the season featured Tim Barringer, co-curator of the exhibition and professor of Art History at Yale, introducing this major show. It’s tempting to think of someone who is dubbed a “founder” or a “first” as someone who has made all things new, but in fact, a close study of history tells us that this isn’t so. Dr. Barringer’s lecture as well as the exhibition and the gorgeous catalogue produced for it are immensely enlightening about Cole’s artistic roots and inspirations.
To learn more about the Thomas Cole Historic Site and its events and programs, visit its website at http://thomascole.org.
To purchase prints or other products related to my two images in this post, click on each image to be directed to my website.
Funny what interesting information you can unearth quite by accident. Do you know what Main Mall Row is in Poughkeepsie? I discovered this while looking up some general information on the history of the “Queen City on the Hudson” and found it intriguing because I’ve photographed this area many times before. Wikipedia describes Main Mall Row as “an adjoining group of nine commercial buildings along the northeast corner of the intersection of Main and Garden streets in downtown Poughkeepsie.”
These Victorian Renaissance buildings arose from the ashes of a fire that destroyed the earlier buildings on this site in 1870. The name Main Mall Row originated during the 1970s, when the city attempted to establish a pedestrian mall in the two blocks of Main between Market and Academy Streets. The idea was to offer an alternative to the shopping malls to which downtown businesses were losing customers. As is too often the case, the malls won out in the end, but Poughkeepsie still boasts these architecturally significant buildings, which are still in use and were added to the National Register of Historic Places in 1982.
Here are pictures from my recent visit, when I went to attend the superb concert of Handel’s Messiah at the Bardavon with the Hudson Valley Philharmonic. The HVP continues to offer topnotch musical events in the mid Hudson Valley, and now with the renovations of Kingston’s UPAC completed, some of these concerts will be held there once again.
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To purchase the above pictures, click on the picture you’re interested in and you’ll be taken to my web page for that picture.
A reminder! If you’re in the Saugerties area and haven’t yet visited the current exhibition at the Emerge Gallery on Main Street, now is the time to do so. The “Primar(il)y Red” show closes on January 8. My popular photograph of the historic red Adirondack barn (now, alas, demolished) is in the show.
The Emerge Gallery in Main Street, Saugerties, will have the opening for its Petit show this Saturday (with preview on Friday). I have two framed images in the show, which runs through most of November. The Emerge Gallery, I’ve discovered, is a great place to find a gift for that hard-to-please person! Here are the details.
Many towns along the Hudson River are in varying stages of experiencing a revival, and a large part of that process is due to the influx of artists who want to create their works here, and the galleries that support them by exhibiting their works. Saugerties is no exception. A fairly recent newcomer to the Saugerties art scene and one of the most outstanding art venues in the village is the Emerge Gallery & Art Space on Main Street (close to the intersection with Partition Street).
Emerge Gallery focuses on emerging artists from the Hudson Valley region and beyond by hosting monthly group exhibitions and other events. Proprietor and curator Robert P. Langdon strives to identify and exhibit the best emerging artists from the Hudson Valley region and beyond. Each month he mounts a new exhibition, and frequently each show includes work of various mediums and styles. The exhibition Equine: A Group Exhibition of Art Celebrating the Horse pays tribute to Saugerties’ tradition of horse shows. With a stunning variety of work by over forty artists, everyone who visits is guaranteed to see something reflecting their particular taste and interests. The photos I’m including here give some idea of what Equine offers.
This wonderful show closes on October 2 and will be followed by Change: A Group Exhibition of Art by Members of the National Association of Women Artists (NAWA). Running from October 7 to October 30, Change has its opening reception on Saturday, October 7, 2017 from 5-8 PM, with an advance preview on October 6 as part of Saugerties’ First Friday.
Before he opened Emerge Gallery, Robert Langdon was Director at Gallery U in Red Bank and Westfield, NJ, where he played an instrumental role in furthering the art scene in both communities. Then as now, his strength lay in community building and supporting and promoting emerging artists.
Robert has previously been Director of Sales and Marketing at a nonprofit children’s picture book publisher in San Francisco, where he began working one-on-one with fine artists; still-life photographer in Manhattan where he photographed still life for Macy’s and A&S catalogs among others; and teacher in suburban New Jersey. Born and raised in New Jersey, he lived in San Francisco for thirteen years and now calls the beautiful Hudson Valley home.
Emerge Gallery is an open and welcoming environment that is also available to rent for solo and privately curated exhibitions. Artwork from current and previous exhibitions, along with online exclusives, are available through the gallery’s website at www.emergegalleryny.com.
One of the buildings at the Bronck Museum.
I first “met” Coxsackie seven years ago when photographing for my book Historic Hudson Valley, and my visit back then was limited to the famous Bronck Museum. Pieter Bronck — despite his Dutch-sounding name, he was of Swedish origin — bought property on that site from Mohican Indians in 1662 and, with his Dutch wife Hilletje Jans, built a house there the following year. Over the next several decades many more buildings, including barns and other farm structures, were added.
The settlement of Coxsackie itself predates Bronck’s arrival by some ten years, and although he didn’t give his name to the town — that honor belongs to the Coxsackievirus, which was first isolated here — his name is enshrined farther south in New York State, in the Bronx.
During a recent Open House in which several of Coxsackie’s churches opened their doors to welcome visitors I had the chance to see a bit more of this town. Below are a few of the photos I took that day, along with two from the Bronck Museum taken a few weeks later.
As part of this year’s celebration of Pieter Bronck’s 400th birthday, there will be a guided tour of Coxsackie’s Historic District on Friday September 8 and Saturday September 9 (rain dates the following week). This little jewel in the northern part of Greene County is well worth getting to know. You can find more information by clicking here.
The famous Good Shepherd Window in the Second Reformed Church.
The First United Methodist Church.
The Gospel Community Church, a friendly and musical Pentecostal church.
Impressive organ pipes at St. Mary’s Catholic Church.
An “extract” of a barn building at the Bronck Museum.